Flora Yukhnovich
National Gallery. Art Edition No. 1–100, Flora Yukhnovich ‘Syrinx’, 2024
Art print, Giclée on Somerset Photosatin paper with deckled edges, 53.3 x 43 cm, numbered and signed by the artist; numbered hardcover volume, 29 x 39.5 cm, 582 pages, in clamshell box, 6.26 kg
Edition of 100
Numbered and signed by Flora Yukhnovich
9783754401774
Copyright The Artist
Photo: TASCHEN
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Since it was established in 1824, the National Gallery has become a beacon for London's visitors and residents alike. From its inception in John Julius Angerstein's home in Mayfair to...
Since it was established in 1824, the National Gallery has become a beacon for London's visitors and residents alike. From its inception in John Julius Angerstein's home in Mayfair to its current home in Trafalgar Square, it has expanded both its collection and its footprint to become one of the world's leading galleries. This book features photography by David Dawson, Massimo Listri, and Mary McCartney. It brings together over 200 of the Gallery's paintings, which were made between the 13th and 20th centuries, including memorable masterpieces from both the famous and the forgotten.
These pages tell the history of painting in the Western European tradition through the National Gallery's collection. You’ll go on a visual journey through the centuries, with works by Duccio, Van Eyck, Raphael, Titian, Rembrandt, Vigée Le Brun, Gainsborough, Morisot, and Matisse, to name just a few. Punctuating this story are contributions by and photographic portraits of 25 cultural figures, such as Frank Auerbach, Alvaro Barrington, Edward Enninful, David Hockney, Kim Jones, Damian Lewis, Sahara Longe, Chris Ofili, Ai Weiwei, Rachel Whiteread, Annabelle Selldorf, and Flora Yukhnovich, among others.
This Art Edition by Flora Yukhnovich comprises 100 copies with the numbered (No. 1–100) and signed print Syrinx, 2024. Yukhnovich is acclaimed for paintings in which she adopts the language of Rococo, reimagining the dynamism of works by eighteenth-century artists such as Giovanni Battista Tiepolo, François Boucher, Nicolas Lancret, and Jean-Antoine Watteau through a filter of contemporary cultural references including film, food, and consumerism. Yukhnovich’s characteristic language of painting emerged during a period of study as a Fine Art student at City & Guilds of London Art School, where she completed her MA in 2017. Prior to this she undertook portraiture studies at The Heatherley School of Fine Art in London. Through her work, Yukhnovich addresses dynamics of power inherent in received readings of art historical subjects and their associated hierarchies, in particular, by questioning notions of femininity and gender that are hard-wired into the aesthetic language of color and form.
The authors: Annetta Berry has a PhD in History of Art from the University of Cambridge and an MFA in Creative Writing (Prose Fiction) from the University of East Anglia. She has worked predominantly for the National Gallery over the past 25 years, writing catalogues, guidebooks, collections interpretation, and multimedia. Her work has been nominated for two Interactive BAFTAs and her debut art historical novel won the First Novel Prize.
Christine Riding is Director of Collections and Research and Curator of British Paintings at the National Gallery. Prior to this she was the Jacob Rothschild Head of the Curatorial Department. Before joining the National Gallery, Christine held curatorial positions at the Museum of London, Palace of Westminster, Tate and the Royal Museums Greenwich. She was also Deputy Editor of ‘Art History’ (Journal of the Association for Art History) and the Chair of The Association for Art History.
The editors: Anh Nguyen holds an MPhil from the University of Oxford and is the Director of Development and member of the Executive Committee at the National Gallery. Prior to this role, she was the Director of Development at both the Serpentine Galleries and Sir John Soane’s Museum.
Rebecca Marks has a BA in History of Art from University College London and a diploma in Fine Art from the Chelsea School of Arts. Founder of Green Wolf Studio, she has produced films as well as collaborations across the arts sector.
These pages tell the history of painting in the Western European tradition through the National Gallery's collection. You’ll go on a visual journey through the centuries, with works by Duccio, Van Eyck, Raphael, Titian, Rembrandt, Vigée Le Brun, Gainsborough, Morisot, and Matisse, to name just a few. Punctuating this story are contributions by and photographic portraits of 25 cultural figures, such as Frank Auerbach, Alvaro Barrington, Edward Enninful, David Hockney, Kim Jones, Damian Lewis, Sahara Longe, Chris Ofili, Ai Weiwei, Rachel Whiteread, Annabelle Selldorf, and Flora Yukhnovich, among others.
This Art Edition by Flora Yukhnovich comprises 100 copies with the numbered (No. 1–100) and signed print Syrinx, 2024. Yukhnovich is acclaimed for paintings in which she adopts the language of Rococo, reimagining the dynamism of works by eighteenth-century artists such as Giovanni Battista Tiepolo, François Boucher, Nicolas Lancret, and Jean-Antoine Watteau through a filter of contemporary cultural references including film, food, and consumerism. Yukhnovich’s characteristic language of painting emerged during a period of study as a Fine Art student at City & Guilds of London Art School, where she completed her MA in 2017. Prior to this she undertook portraiture studies at The Heatherley School of Fine Art in London. Through her work, Yukhnovich addresses dynamics of power inherent in received readings of art historical subjects and their associated hierarchies, in particular, by questioning notions of femininity and gender that are hard-wired into the aesthetic language of color and form.
The authors: Annetta Berry has a PhD in History of Art from the University of Cambridge and an MFA in Creative Writing (Prose Fiction) from the University of East Anglia. She has worked predominantly for the National Gallery over the past 25 years, writing catalogues, guidebooks, collections interpretation, and multimedia. Her work has been nominated for two Interactive BAFTAs and her debut art historical novel won the First Novel Prize.
Christine Riding is Director of Collections and Research and Curator of British Paintings at the National Gallery. Prior to this she was the Jacob Rothschild Head of the Curatorial Department. Before joining the National Gallery, Christine held curatorial positions at the Museum of London, Palace of Westminster, Tate and the Royal Museums Greenwich. She was also Deputy Editor of ‘Art History’ (Journal of the Association for Art History) and the Chair of The Association for Art History.
The editors: Anh Nguyen holds an MPhil from the University of Oxford and is the Director of Development and member of the Executive Committee at the National Gallery. Prior to this role, she was the Director of Development at both the Serpentine Galleries and Sir John Soane’s Museum.
Rebecca Marks has a BA in History of Art from University College London and a diploma in Fine Art from the Chelsea School of Arts. Founder of Green Wolf Studio, she has produced films as well as collaborations across the arts sector.