Alfred Wertheimer
Elvis, Art Edition No. 126–250 ‘The Kiss’, 2013
Fiber-based gelatin silver print, 44 x 31.2 cm, hardcover volume in clamshell box, letterpress-printed chapter openers, 31.2 x 44 cm, 418 pages
Edition of 125 plus 20 artist's proofs
Signed by Alfred Wertheimer
9783836534284
Copyright The Artist
Photo: TASCHEN
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
-
(View a larger image of thumbnail 14
)
-
(View a larger image of thumbnail 15
)
-
(View a larger image of thumbnail 16
)
-
(View a larger image of thumbnail 17
)
-
(View a larger image of thumbnail 18
)
-
(View a larger image of thumbnail 19
)
-
(View a larger image of thumbnail 20
)
“Elvis who?” was photographer Alfred Wertheimer’s response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this...
“Elvis who?” was photographer Alfred Wertheimer’s response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this would be the job of his life: just 21 years old, Elvis Presley was—as we now know—about to become a legend.
Trailing him like a shadow, Wertheimer was given unlimited access to Elvis; even as the singer was seducing young women in dark hallways, he allowed the photographer to record his every move. Wertheimer took nearly 3,000 photographs, creating a penetrating portrait of a man poised on the brink of superstardom. Extraordinary in its intimacy and unparalleled in its scope, the portfolio immortalized a young man in the process of making history. Just a month after Wertheimer shot Elvis recording the “Don’t Be Cruel”/“Hound Dog” record, it became the first ever to top all three Billboard charts.
This Art Edition of 125 numbered copies, each signed by Alfred Wertheimer, brings together his most remarkable shots of the star from 1956 and 1958, half of them published for the first time. It comes with the numbered and signed gelatin silver print Kneeling at the Mosque (1956), a quintessential shot of Elvis on stage.
Limited Art Edition of 125 copies (No. 126–250), each with the gelatin silver print The Kiss (1956), signed by Alfred Wertheimer.
Also available in a second Art Edition (No. 1–125) with an alternative print.
Trailing him like a shadow, Wertheimer was given unlimited access to Elvis; even as the singer was seducing young women in dark hallways, he allowed the photographer to record his every move. Wertheimer took nearly 3,000 photographs, creating a penetrating portrait of a man poised on the brink of superstardom. Extraordinary in its intimacy and unparalleled in its scope, the portfolio immortalized a young man in the process of making history. Just a month after Wertheimer shot Elvis recording the “Don’t Be Cruel”/“Hound Dog” record, it became the first ever to top all three Billboard charts.
This Art Edition of 125 numbered copies, each signed by Alfred Wertheimer, brings together his most remarkable shots of the star from 1956 and 1958, half of them published for the first time. It comes with the numbered and signed gelatin silver print Kneeling at the Mosque (1956), a quintessential shot of Elvis on stage.
Limited Art Edition of 125 copies (No. 126–250), each with the gelatin silver print The Kiss (1956), signed by Alfred Wertheimer.
Also available in a second Art Edition (No. 1–125) with an alternative print.