Christo and Jeanne-Claude
Christo and Jeanne-Claude. The Gates, 2005
Hardcover in slipcase with piece of fabric, 29 x 27 cm, 7.02 kg, 968 pages
Edition of 5000 plus 800 artist's proofs
Signed and numbered by Christo and Jeanne-Claude and Wolfgang Volz
9783822835623
Copyright The Artist
Photo: TASCHEN
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February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City’s Central Park. First conceived in 1979 and rejected by New...
February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City’s Central Park. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg’s administration in 2003. The work of art consisted of 7,503 16-foot-high vinyl gates with saffron-colored fabric panels on 23 miles of the park’s walkways.
Seen from the buildings surrounding the park, The Gates looked like a flowing saffron river, while those walking through them experienced the ambience of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for 16 days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process.
This special Collector’s Edition documents the entire project from conception to realization. Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and photographs by exclusive photographer Wolfgang Volz, it is a lasting and stunning souvenir of this remarkable work of art. Each copy comes with a 24 x 24 cm (9.4 x 9.4 in.) piece of the project’s original fabric and features over 100 preparatory drawings and collages, as well as 900 important documents, engineering drawings, technical data, maps, and 1,441 photographs from 1979 to 2005.
Limited Collector’s Edition of 5,000 copies, signed and numbered by Christo and Jeanne-Claude and Wolfgang Volz, with original project fabric
The artists: Christo and Jeanne-Claude began their collaboration in 1961, and lived in New York City since 1964. Jeanne-Claude died in 2009; Christo died in 2020. Their large-scale projects include Wrapped Coast, Australia, 1968–69; Valley Curtain, Rifle, Colorado, 1970–72; Running Fence, Sonoma and Marin Counties, California, 1972–76; Surrounded Islands, Biscayne Bay, Florida, 1980–83; The Pont Neuf Wrapped, Paris, 1975–85; The Umbrellas, Japan–USA, 1984–91; Wrapped Reichstag, Berlin, 1971–95; Wrapped Trees, Riehen, Switzerland, 1997–98; The Gates, Central Park, New York City, 1979–2005; The Floating Piers, Lake Iseo, Italy, 2014–16, The London Mastaba, Serpentine Lake, Hyde Park, 2016–18, and L'Arc de Triomphe, Wrapped, Paris, 1961–2021.
The photographer: Wolfgang Volz has worked with Christo and Jeanne-Claude as the exclusive photographer of their works since 1971. He was also project director (with Roland Specker) for Wrapped Reichstag, Berlin, 1971–95 and (with Josy Kraft) for Wrapped Trees, Riehen, Switzerland, 1997–98, and was in charge of The Wall – 13,000 Oil Barrels, Gasometer Oberhausen, Germany, 1998–99 and Big Air Package, Gasometer Oberhausen, Germany, 2010–13. His close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world.
The author: Jonathan William Henery is the son of Jeanne-Claude’s sister, Joyce May Henery. In 1993, he received a Bachelor of Arts from Fordham University. He is a musician and was Jeanne-Claude’s full-time assistant from 1996 to 2009, and continues to manage Christo’s office today. Jonathan has collaborated on numerous publications about their work.
Seen from the buildings surrounding the park, The Gates looked like a flowing saffron river, while those walking through them experienced the ambience of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for 16 days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process.
This special Collector’s Edition documents the entire project from conception to realization. Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and photographs by exclusive photographer Wolfgang Volz, it is a lasting and stunning souvenir of this remarkable work of art. Each copy comes with a 24 x 24 cm (9.4 x 9.4 in.) piece of the project’s original fabric and features over 100 preparatory drawings and collages, as well as 900 important documents, engineering drawings, technical data, maps, and 1,441 photographs from 1979 to 2005.
Limited Collector’s Edition of 5,000 copies, signed and numbered by Christo and Jeanne-Claude and Wolfgang Volz, with original project fabric
The artists: Christo and Jeanne-Claude began their collaboration in 1961, and lived in New York City since 1964. Jeanne-Claude died in 2009; Christo died in 2020. Their large-scale projects include Wrapped Coast, Australia, 1968–69; Valley Curtain, Rifle, Colorado, 1970–72; Running Fence, Sonoma and Marin Counties, California, 1972–76; Surrounded Islands, Biscayne Bay, Florida, 1980–83; The Pont Neuf Wrapped, Paris, 1975–85; The Umbrellas, Japan–USA, 1984–91; Wrapped Reichstag, Berlin, 1971–95; Wrapped Trees, Riehen, Switzerland, 1997–98; The Gates, Central Park, New York City, 1979–2005; The Floating Piers, Lake Iseo, Italy, 2014–16, The London Mastaba, Serpentine Lake, Hyde Park, 2016–18, and L'Arc de Triomphe, Wrapped, Paris, 1961–2021.
The photographer: Wolfgang Volz has worked with Christo and Jeanne-Claude as the exclusive photographer of their works since 1971. He was also project director (with Roland Specker) for Wrapped Reichstag, Berlin, 1971–95 and (with Josy Kraft) for Wrapped Trees, Riehen, Switzerland, 1997–98, and was in charge of The Wall – 13,000 Oil Barrels, Gasometer Oberhausen, Germany, 1998–99 and Big Air Package, Gasometer Oberhausen, Germany, 2010–13. His close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world.
The author: Jonathan William Henery is the son of Jeanne-Claude’s sister, Joyce May Henery. In 1993, he received a Bachelor of Arts from Fordham University. He is a musician and was Jeanne-Claude’s full-time assistant from 1996 to 2009, and continues to manage Christo’s office today. Jonathan has collaborated on numerous publications about their work.