H.R. Giger
Art Edition No. 101–200 ‘Relief’, 2016
Hardcover with fold-outs in clamshell box, 36.7 x 50 cm, 13.26 kg, 400 pages, with polyester cast relief “Untitled” (1964), 50 x 50 cm, in a box
Edition of 100
Book numbered and signed by Carmen Giger, with stamp by the H.R. Giger Estate. With the cast relief Untitled (1964), authenticated by Carmen Giger / HR Giger Estate.
Copyright The Artist
Photo: TASCHEN
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Swiss artist HR Giger (1940–2014) is most famous for his creation of the space monster in Ridley Scott’s 1979 horror sci-fi film Alien, which earned him an Oscar. In retrospect,...
Swiss artist HR Giger (1940–2014) is most famous for his creation of the space monster in Ridley Scott’s 1979 horror sci-fi film Alien, which earned him an Oscar. In retrospect, this was just one of the most popular expressions of Giger’s biomechanical arsenal of creatures, which consistently merged hybrids of human and machine into images of haunting power and dark psychedelia. The visions drew on demons of the past, as well as evoking mythologies for the future. Above all, they gave expression to the collective fears and fantasies of his age: fear of the atom, of pollution and wasted resources, and of a future in which our bodies depend on machines for survival.
Begun shortly before the artist’s unexpected death, this SUMO-sized Art Edition pays homage to Giger’s unique vision. It shows the complete story of Giger’s life and art, his sculptures, film works, and iconic album covers as well as the heritage left in his own artist’s museum and self-designed bar in the Swiss Alps. In an in-depth essay, Giger scholar Andreas J. Hirsch plunges into the themes of Giger’s oeuvre and world, while an extensive artist biography draws on contemporary quotes and Giger’s own writings.
The volume is presented with Untitled, a ready-to-hang relief cast from an original polyester sculpture created by Giger in 1964. The piece combines two of the big interests of the artist’s early career: tachist painting (the European version of Abstract Expressionism, often characterized by calligraphic brushstrokes) and interior design. His abstract painting and design models in polyester come together in this fascinating piece, where skeletal forms already show promise of the gruesome creations of his later oeuvre.
Art Edition (No. 101–200), each signed by Carmen Giger / HR Giger Estate. With the cast relief Untitled (1964), authenticated by Carmen Giger / HR Giger Estate. Also available as an additional Art Edition (No. 1–101) combining the relief Untitled (1964) with a photogravure Gebärmaschine (Second State) (1965/2016), and as a signed Collector's Edition (No. 201–1,200).
Begun shortly before the artist’s unexpected death, this SUMO-sized Art Edition pays homage to Giger’s unique vision. It shows the complete story of Giger’s life and art, his sculptures, film works, and iconic album covers as well as the heritage left in his own artist’s museum and self-designed bar in the Swiss Alps. In an in-depth essay, Giger scholar Andreas J. Hirsch plunges into the themes of Giger’s oeuvre and world, while an extensive artist biography draws on contemporary quotes and Giger’s own writings.
The volume is presented with Untitled, a ready-to-hang relief cast from an original polyester sculpture created by Giger in 1964. The piece combines two of the big interests of the artist’s early career: tachist painting (the European version of Abstract Expressionism, often characterized by calligraphic brushstrokes) and interior design. His abstract painting and design models in polyester come together in this fascinating piece, where skeletal forms already show promise of the gruesome creations of his later oeuvre.
Art Edition (No. 101–200), each signed by Carmen Giger / HR Giger Estate. With the cast relief Untitled (1964), authenticated by Carmen Giger / HR Giger Estate. Also available as an additional Art Edition (No. 1–101) combining the relief Untitled (1964) with a photogravure Gebärmaschine (Second State) (1965/2016), and as a signed Collector's Edition (No. 201–1,200).