David LaChapelle
Lost and Found. Good News. Art Edition, 2018
Hardcover, 2 vols. in a box with fold-outs, 27.8 x 35.5 cm, 10.15 kg, 554 pages total; with three prints on Canson Baryt paper, each numbered and signed by David LaChapelle
Edition of 500 plus 50 AP
Numbered box, three fine art prints numbered and signed by David LaChapelle
Copyright The Artist
Photo: TASCHEN
Nurtured under Warhol’s wing in the ’80s, hailed as the Fellini of photography in the ’90s, emerging from a retreat in rural Hawaii in the noughties, David LaChapelle has spent...
Nurtured under Warhol’s wing in the ’80s, hailed as the Fellini of photography in the ’90s, emerging from a retreat in rural Hawaii in the noughties, David LaChapelle has spent the past three decades shooting some of the most luminous stars of his generation and transforming the realms of fashion and celebrity, sex and style with his own distinct, unorthodox aesthetics.
In this exclusive Art Edition, the artist’s first publication in a decade, TASCHEN presents two defining periods in LaChapelle’s career: his rise to stardom in the white heat of ’80s New York, and his creative renaissance following his “disappearance” from the fashion scene, post-2006.
Volume 1, Lost + Found, traces LaChapelle’s emergence through Warhol’s Interview magazine and his ascent to the status of global icon in the fashion world. Meanwhile, Good News explores LaChapelle’s spiritual and artistic revival following his retreat to a rural idyll in West Maui, Hawaii.
This Art Edition represents a typographical map to a dizzyingly creative mind, presenting over 300 unpublished works to trace LaChapelle’s career through his very own lens. Along the way, we encounter such high-voltage subjects as Miley Cyrus, Amy Winehouse, Michael Jackson, Lady Gaga, Tupac, and Naomi Campbell, as well as LaChapelle’s stylistic experimentation throughout the years, spanning classical, Baroque, and Pop art elements. We follow his ascent to the apex of glamour and his subsequent thematic exploration of consumerism, redemption, and spirituality.
From the controversial Rape of Africa (2009) series and the Kardashian-heavy Black Friday at Mall of the Apocalypse (2013) to the classic Angels, Saints and Martyrs (1984) and the brand new Paradise (2017), this is an intimate tour through LaChapelle’s thematic evolution, narrated by the world-class photographer himself. Throughout, we discover an unrivaled critical and creative eye, in thrall to hyper-polished sexuality, as much as to the profound questions of human existence.
Art Edition of 500 copies, each with three prints signed by David LaChapelle
* Archangel Uriel, 1985 (30.7 x 40.5 cm / 12 x 16 in.)
* She Stood by Him till the End His Loving Friend. Elizabeth Taylor, 2002 (40.5 x 26.4 cm / 16 x 10 in.)
* Earth Laughs in Flowers. Rite of Spring, 2008–2011 (31 x 40.5 cm / 12.2 x 16 in.)
Also available as two unlimited volumes: Lost + Found, Part I and Good News, Part II.
The photographer: David LaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. Since then his work has been exhibited in galleries and museums worldwide, including Tony Shafrazi Gallery and Deitch Projects in New York, and London's Barbican. His images have appeared in countless magazines including Vogue Italia, French Vogue, Vanity Fair, Rolling Stone and i-D. In recent years he has expanded into music videos, live theatrical events and documentary film-making.
In this exclusive Art Edition, the artist’s first publication in a decade, TASCHEN presents two defining periods in LaChapelle’s career: his rise to stardom in the white heat of ’80s New York, and his creative renaissance following his “disappearance” from the fashion scene, post-2006.
Volume 1, Lost + Found, traces LaChapelle’s emergence through Warhol’s Interview magazine and his ascent to the status of global icon in the fashion world. Meanwhile, Good News explores LaChapelle’s spiritual and artistic revival following his retreat to a rural idyll in West Maui, Hawaii.
This Art Edition represents a typographical map to a dizzyingly creative mind, presenting over 300 unpublished works to trace LaChapelle’s career through his very own lens. Along the way, we encounter such high-voltage subjects as Miley Cyrus, Amy Winehouse, Michael Jackson, Lady Gaga, Tupac, and Naomi Campbell, as well as LaChapelle’s stylistic experimentation throughout the years, spanning classical, Baroque, and Pop art elements. We follow his ascent to the apex of glamour and his subsequent thematic exploration of consumerism, redemption, and spirituality.
From the controversial Rape of Africa (2009) series and the Kardashian-heavy Black Friday at Mall of the Apocalypse (2013) to the classic Angels, Saints and Martyrs (1984) and the brand new Paradise (2017), this is an intimate tour through LaChapelle’s thematic evolution, narrated by the world-class photographer himself. Throughout, we discover an unrivaled critical and creative eye, in thrall to hyper-polished sexuality, as much as to the profound questions of human existence.
Art Edition of 500 copies, each with three prints signed by David LaChapelle
* Archangel Uriel, 1985 (30.7 x 40.5 cm / 12 x 16 in.)
* She Stood by Him till the End His Loving Friend. Elizabeth Taylor, 2002 (40.5 x 26.4 cm / 16 x 10 in.)
* Earth Laughs in Flowers. Rite of Spring, 2008–2011 (31 x 40.5 cm / 12.2 x 16 in.)
Also available as two unlimited volumes: Lost + Found, Part I and Good News, Part II.
The photographer: David LaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. Since then his work has been exhibited in galleries and museums worldwide, including Tony Shafrazi Gallery and Deitch Projects in New York, and London's Barbican. His images have appeared in countless magazines including Vogue Italia, French Vogue, Vanity Fair, Rolling Stone and i-D. In recent years he has expanded into music videos, live theatrical events and documentary film-making.